Monthly Archives: December 2015
Good afternoon! Tis’ the season for yuletide cheer and barside beers, and if you’re like us (which we assume you are), you’re spending the holidays in the warming embrace of beats galore. While the physical House of Acid_Reviews may be buried under almost a foot of snow, that doesn’t mean we can’t spread our love of Techno to the winterized streets of Denver. We’ve turned the lights back on, and this time we’re staying for good. In celebration of our relocation to the Blue Mountain State, we’ve curated an exclusive review to showcase the thriving music scene here with local beat-fanatic Evan Franklin! The decades-old movement of Techno is alive and well in the Colorado capital, and we’ve got the goods ready to flow out like an iron fist of sonic love. We are proud to present our first of many guest-reviews, an inaugural analysis of live music from our new Denver affiliate Evan. Check out his exclusive review of underground mainstay Marco Shuttle, who took the weekend to a new sonic level last Friday at Eko-House!
If there is one thing to be said of Denver’s techno scene: they are committed. I would even go as far as to call them “ravenous,” yet while their hunger is nearly limitless, they are also one of the most polite, accommodating, and well-mannered groups of music fans I have encountered. I believe this can be attributed in a tremendous way to one of the city’s techno masterminds: John Templeton. Not only is he an incredible musical entity in his own right (making his Bunker NY debut the evening following this event), but he has been one of the sharpest and most attentive Colorado promoters since the inception of his now-retired Communikey collective over a decade ago. His savviness as a promoter has been proven time and time again, (see RA’s review of Denver’s Great American Techno Festival for a glimmering example) and this night was no different.
Marco Shuttle was slated to play the Eko House, a south Denver art gallery moonlighting as a space for techno/house/what-have-you parties. It was also slated to be the inaugural event of Templeton’s new project/collective: Vicious Circle. Eko House was a staple of the aforementioned GATF, and seemed promising as one of Denver’s new afterhours hotspots. That was, until they closed their doors to music mere weeks before the night of the shuttle event. Where another promoter’s knees may have buckled, Templeton saw only opportunity. A new space was secured, and what a space it was.
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