If you live in the Northeast, there is simply no better time to see electronic music than in the month of March. The weather absolutely sucks, and the asphalt is plagued with open sores and cracks that tear your car to pieces. You’re going to brave it all though, and do you know why? Because the booking, especially in NYC, doesn’t get any better. (more…)
This Saturday the British duo Way Out West is performing LIVE in Denver for the last stop on their US tour! I warn you, sleeping on this might result in a lifetime of self-loathing and detrimental regret, ultimately leaving you permanently damaged and alone. OK that might be exaggerating, but they did establish themselves as one of the most authoritative DJ duos since the turn of the millennium. Imagine for a second, if Danny Boyle and Guy Ritchie made a film together. These guys would helm the soundtrack. Yeah. So, do you have plans this weekend? Perhaps you’re going to Club Vinyl on March 25th for a space-bound foray into the most cosmic party this Spring?
In 1997, Global Underground superstar Nick Warren and teen prodigy Jody Wisternoff combined their talents to form Way Out West, successfully blending multiple genres into one sonic morphogenetic force. Shortly after their inception they carved their own niche out of an already deeply layered musical movement: the trance/progressive house scene of the late 90’s/early 00’s. The duo garnered huge praise for their soul piercing track “The Gift”, released on their debut album Deconstruction in 97′. Being only the second track on their first LP, one could argue it’s the genesis of the breakthroughs they were about to make in the scene. (In fact, it had such an impact in the clubs back then that there is a rumor it was remixed over 400 times.) While emotional and melodic versatility was starkly present in the Global Underground community of the early 2000’s, nobody else seemed to be as proficient at developing it. The danceability of “The Gift” is undeniable, but the emotional response from the song is inescapable. One is powerless against drifting into a deep and personal space when immersed in those vocals, “The Moon and the stars, were the gift you gave”.
That was just the beginning folks. It’s fascinating how we go out of our way to recognize brilliance, but so easily forget that which we honor. Even more fascinating is how quickly we move on from artists even if their talent never faded. Nick and Jody are nowhere near becoming an epitaph of electronic music history. In fact, they are still churning out songs as W.O.W on labels like Anjunadeep, and even their own platforms. Even more admirable is that despite the pressures of evolving music and transitioning generational trends, they have held onto the style that made them what they are through all these years. The 2016 release of “Tuesday Maybe” last year broke a lot of tropes in the dance music realm. After 20 years, they’re actually still capable of topping themselves while staying true to their roots.
There is a fairly definitive reason this duo has stayed relevant and succeeded at remaining in electronic music’s upper echelon. They essentially represent the entire spectrum of 90-00’s dance music under the umbrella of one moniker (minus disco). No other act can flow between break-beat, drum & bass, techno, house, and especially trance like them. If they could, they were nowhere near as adept as W.O.W. In just minutes you can go from wiping the sweat off your brow to wiping proverbial tears from your eyes (unless you’re really sensitive which is cool too). I was vaguely familiar with their work and decided to see them play at Vinyl last summer. What took place that night quickly transcended into an experience I didn’t think was still possible with modern dance music. Then again, chances to see respected OG’s like this come few and far between. Not only was their work translated perfectly, it was weaved into a completely unpredictable performance utilizing tools outside the usual DJ decks. If you’ve forgotten, or are perhaps unaware, you have a massive opportunity to witness a chapter of music that never should’ve faded into the background. In most ways it really hasn’t. This duo is sewn into history with the likes of Digweed, Hernan Cattaneo, Deep Dish, and Sasha, and you can see them perform this weekend. It’s past, present, and future all at once.
We have all yearned for that sonic comfort within ourselves at some point. That place that strikes a chord in you so deep you could swear you were mainlining the secrets of humanity itself. That is what truly lies under the surface of these dance music gurus. There is a living-soul embedded in their work. So when the party ends and you look at that city skyline, and the weight of the world comes back, what do you really want as the soundtrack to your life at the end of the night? Oh yeah, and the whole detrimental regret you might be risking. Event info and ticket links below, my friends!
As I sit here and continue to bang my head against the work desk, I can only conclude that Tuesday morning at the office has never felt so bleak. That’s only in contrast to the wonderfully depraved experience I had over just over a week ago. Last Saturday was the 3rd edition of Sorted, an event catered to the lovers of Techno and everything else that goes bump in the night. What transpired is exactly what makes Denver so integral to the country’s pulse in underground electronic music. Solid bookings of underground enforcers like Call Super and Hodge kept the sweat going and the floor burning all night long. It was vicious, communal to the core, and everything we needed. Did I mention it’s happening again? Read the rest of this entry
Good afternoon! Tis’ the season for yuletide cheer and barside beers, and if you’re like us (which we assume you are), you’re spending the holidays in the warming embrace of beats galore. While the physical House of Acid_Reviews may be buried under almost a foot of snow, that doesn’t mean we can’t spread our love of Techno to the winterized streets of Denver. We’ve turned the lights back on, and this time we’re staying for good. In celebration of our relocation to the Blue Mountain State, we’ve curated an exclusive review to showcase the thriving music scene here with local beat-fanatic Evan Franklin! The decades-old movement of Techno is alive and well in the Colorado capital, and we’ve got the goods ready to flow out like an iron fist of sonic love. We are proud to present our first of many guest-reviews, an inaugural analysis of live music from our new Denver affiliate Evan. Check out his exclusive review of underground mainstay Marco Shuttle, who took the weekend to a new sonic level last Friday at Eko-House!
If there is one thing to be said of Denver’s techno scene: they are committed. I would even go as far as to call them “ravenous,” yet while their hunger is nearly limitless, they are also one of the most polite, accommodating, and well-mannered groups of music fans I have encountered. I believe this can be attributed in a tremendous way to one of the city’s techno masterminds: John Templeton. Not only is he an incredible musical entity in his own right (making his Bunker NY debut the evening following this event), but he has been one of the sharpest and most attentive Colorado promoters since the inception of his now-retired Communikey collective over a decade ago. His savviness as a promoter has been proven time and time again, (see RA’s review of Denver’s Great American Techno Festival for a glimmering example) and this night was no different.
Marco Shuttle was slated to play the Eko House, a south Denver art gallery moonlighting as a space for techno/house/what-have-you parties. It was also slated to be the inaugural event of Templeton’s new project/collective: Vicious Circle. Eko House was a staple of the aforementioned GATF, and seemed promising as one of Denver’s new afterhours hotspots. That was, until they closed their doors to music mere weeks before the night of the shuttle event. Where another promoter’s knees may have buckled, Templeton saw only opportunity. A new space was secured, and what a space it was.
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It’s all about feeling ladies and gentlemen, and the latest remix from Solomun is a blitzkrieg of emotion. The German producer’s rework of Liu Bei’s “Atlas World” premiered on DJ Mag yesterday, and it is sweet as it is dark. While we love a good floor banger as much as the next music blog, the world is in serious need of artistic direction. Dance music should be viewed like the humans who make it- if it doesn’t have a soul, it’s probably not safe to be around. It seems that yet again, DIYNAMIC Music is answering the call for quality over calamity, proving once again the future of international techno is safe in the hands of artists like Solomun. Talk is cheap without the walk, so we’ll cut to the sonic chase. Listen to a preview of the track below and head the link at the bottom of the page to see more from the recent issue of DJ Mag! Oh, and did we mention that he has another remix of the tune coming out?! Read the rest of this entry
What happens when you put two legendary DJ’s on a sunny San Diego festival stage together? Well ask yourselves folks- what happens when you light a stick of dynamite? What happens when you give Paris Hilton too much alcohol? What happens when it rains in Southern California? Explosions, sex, and a lot of dancing is what. And that’s pretty much what we got when Jamie Jones and Seth Troxler decided to throw down a back to back heater at the CRSSD Festival last weekend (which had one of the best American lineups we’ve seen so far this year). It’s like a celebrity death-match of electronic music icons, we just need Johnny Gomez and Nick Diamond to MC. On the left we have Jones- a UK-born, palm tree-loving House producer. On the right we have Troxler- an often naked, mustachioed menace with a permanent place in the history of Detroit Techno. Punches are thrown. Acid is dropped. Did we mention the transition into a beautiful California sunset? Watch it the whole thing below, courtesy of Mixmag >>>
This is HUGE! The recordings from the BPM Electronic Music Festival are practically pouring through our newsfeeds. As always, Germany’s top-dog techno imprint DIYnamic was there to showcase their arsenal of live DJing wizards. It looks like they’ve started another year of intense touring and live performances (insert sarcastic sadness). Among the many epic sets that place last week, the sultry Magdalena, Adriatique, and label-founder Solomun dropped some of the biggest sets of the entire festival. Now you can relive every moment! It just wouldn’t be a real #SundayFunday without some goodies- download the Solomun set for FREE below! Want more? Then head to Be-At.tv in the link below to watch each of the DIYnamic performances now! Mind, meet Bender, you’re about to become best friends.
We’re peering into the shadows for this week’s #SundayFunday mix series. The cold weather gives you a lot of indoor time to reflect, and that’s where Villanova will step in this evening. The Parisian duo just did this stunningly thought-provoking mix for Paris La Nuit, comprised of 58 minutes worth of mind-bending techno psychedelia. If last year’s success with My Favorite Robot Records is any indicator of the year ahead, then we’ll be hearing a lot more about these two artists. There’s just some music you can only find in the underground folks, plain and simple. This mix epitomizes those sentiments. Listen to the new mix below, we hope you enjoy it as much as we did >>>
Ok folks I don’t know if you heard or not, but things got pretty crazy in NYC last week. We’re talking Peter Gatien-era full-throttle clubland crazy here. Cityfox and Diynamic Music got together to throw what will likely be remembered as one of the greatest parties in the city this year. In what could only be described as an event of true passion, the aforementioned collaborators rented out a warehouse in Brooklyn for an epic 90’s style house party. They invited head-honcho Solomun, Magdaena, H.O.S.H., Adriatique, and even more to play all night with a curated sound-system and state-of-the-art theatrics! Disappointed you missed it? So are we. It’s definitely something worth being sad over. At least we have this though! The recordings may not have surfaced yet, but here is an exclusive mix that Adriatique did for last week’s epic event!
Eric Cloutier unleashed his new single “Anaphalantiasis” on the Semantica imprint yesterday. The label just released a new compilation, featuring this Techy gem as one of the exclusives. He was quoted on Facebook yesterday as saying “finally released” when the tune was posted on Youtube. We’re not sure of the story behind that, but we are glad it’s out. Listen to it below and grab the release here!
Cloutier has become an underground legend; a hero to some and an inspiration to many others. Over the years he’s built a reputation for authenticity, especially regarding his live performances. What we love most about him is his unassuming approach to deep house and his Detroit techno roots. When you listen to his productions there is this sense of humbleness and honesty to them, like he has no connection to outside trends and social music patterns. His music isn’t so much a narrative of his creative influences, but more a sonic projection of himself. He’s traded the aggressive attitude of his region for a more enigmatic, soulful style in which he is very much at home. By softening the abrasiveness tone of Detroit techno and implementing those grooves into a Deep House format, Eric has created something new out of something old. You really just have to hear him in order to get a grasp on it. He is the ghost in the machine. The soul in electronic music. Get a taste of his genius with the brand new “Anaphalantiasis”, out now!