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Shall Ocin Celebrates DGTL With Some Evil Grooves…

The DGTL Electronic Music Festival is right around the corner, and with it a stockpile of brand new releases to celebrate! If you’re under the presumption that this is your typical mind-blowing International event, stacked with a lineup you’d kill your 2nd cousin to see, you’re right on the money. As lame Americans like ourselves, you might not be heading to Amsterdam this April to lose your heads; but you can still hear it. Take the enigmatic Shall Ocin for example. His label Ellum Audio will be showcasing some of their top acts at the festival, and to celebrate he released this DGTL podcast! Kiss your sense of reality goodbye and dive in below!

If you’re just hearing about him now, then this is the perfect introduction to his intricate world. Ellum has been mostly recognized as a mainstay for the iconic Maceo Plex, however, it’s artists like this that really grab our attention. Over the last several months Ocin’s name has been coming up more and more, with artists like Scuba or Steve Bug showcasing some of his beats on the stage last fall. You can find his work on some of the top electronic music labels in the world including Akbal, Get Physical, Culprit, and of course his current home at Ellum. Where DJ’s like Maceo kind of smash your skull into oblivion with raw Techno fury, this guy smashes your concept of reality with Techno innovation. Shall’s decelerated approach to Tech-house bears a refreshingly psychedelic sound, and even more so aesthetic. Each track is door to another world, leading to the next door after that, and opening the next after that. The themes are inherently heavy and full of shadow, but his manner of constructing and deconstructing those sounds is uniquely delicate. Everything unfolds at just right the pace, never jumping the gun or derailing from the flow. One moment you’re experiencing a world of cosmic psychosis, and the next you’re lost in a face-melting exchange of crunchy bass lines. And rather than observe these various elements from afar, you become immersed in the thick of them. Conventional dynamics are tossed out the window, and you are no longer just the person on the other end of the speakers. The boundaries of your typical producer v. listener relationship dissolve, and the music becomes personal. There isn’t a single moment of static. You are always present and in the moment at hand. It’s as if he were a sonic architect and these compositions are the schematics to his own little world, to which you’ve all been invited. Suffice to say we are thoroughly impressed with what we’ve heard from Shall Ocin. It’s a new story all it’s own, instead of another retelling. We hope you enjoy…

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Mixmag July Cover Mix: Scuba

scubaweb_0Mixmag is one of the leading sources of electronic music media, and that’s because they actually cater to their fan’s interests once in a while. For July, they’ve featured Hotflush founder and deep house all-star ScubaWhile that genre might be the current trend in the DJ world, that doesn’t mean you have to ignore talent when it’s thumping right before you. Dive deep into Scuba’s exclusive new mix a little early and grab it below!

Sunday School: An Intimate Musical Experience At A Not-So-Intimate Festival

The Main Stage @ Mysteryland USA

The Main Stage @ Mysteryland USA

Memorial Day Weekend has taken on a completely different meaning to the lovers of live music, and it would seem everyone got their own little piece of heaven this weekend, especially the techno junkies (guilty). From the furthest depths of the underground to big stage DJ’s, everyone got their fix as hundreds of performers from around the world shared bills at multiple festivals across the country last weekend. Detroit celebrated the annual Movement Electronic Festival with a seemingly endless bill of top-notch producers. Once again, Insomniac took over New York City with this year’s initial Electric Daisy Carnival. Then there was the Mysteryland Electronic Music Festival held in Bethel, NY which made history both with it’s first US appearance, and as the first camping event on the original Woodstock grounds since 1969! While it is true that the title slightly reminisces some pop star’s mansion that you’d never let your kids near, this fest actually proved to be really unique.

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